Hailed by Emily Wilding Davison as “a book which breathes the very spirit of our Women’s Movement”, the fast paced story interweaves the lives of women from all classes working together to bring about change. Our hero Jenny is a small but fierce Lancashire textile mill worker who puts principle before everything. Constance Maud’s suffragette novel No Surrender, first published in 1911, isn’t what I would call an enticing read, however authentic a record it may be of its author’s times (Maud, the daughter of a Surrey rector, joined the Women’s Freedom League in 1908, and thereafter participated enthusiastically in the same kind of peaceful civil disobedience as her characters). While it’s true that Emily Wilding Davison, the woman who would later be trampled beneath the King’s horse at Epsom, adored it, feeling that it breathed the very “spirit of our women’s movement”, most modern readers tend to find it plodding and cliched, its story never quite flaring to life. Constance Maud was at the heart of the British campaign for women’s votes. Her novel No Surrender was published at the height of that struggle and used as a persuasive tool by suffragists. Hailed by Emily Wilding-Davison as “a book which breathes the very spirit of our Women’s Movement”, the fast-paced story interweaves the lives of women from all classes working together to bring about change. Our hero Jenny is a small but fierce Lancashire textile mill worker who puts principle before everything. Graphic novel publishers Self Made Hero, based in King’s Cross, have earned a reputation for finding new ways to use the genre to cast a light on modern storytelling. They range from the noir and thriller to social realism and political tales.

Constance Maud’s No Surrender: A Graphic Novel by Scarlett

No Surrender is like a sister volume to The Ragged Trousered Philanthropists,” says Scarlett. “Maud was an active suffragette, writing fiction in the same era about her authentic experience of living a marginalised life. While The Ragged Trousered Philanthropists examined the arguments for and against socialism, No Surrender explores the battle for equality, how women were regarded, and the ethics of civil disobedience.” Jenny Clegg is a wonderful working-class hero,” says Sophie. “We were drawn to her vitality and turn of phrase because of our childhoods. No Surrender was written in part as a recruiting tool for the suffrage movement, and the way it explores things from the point of view of all kinds of women from all walks of life adds to the sense of unity. Jenny, Mary and Alice all have individual strengths and challenges, and there is something there to relate to.” Tressell was a decorator who wrote about economics from his working-class point of view, and died in poverty in 1911 before it was published,” says Scarlett. “It was a difficult book in prose form, and we wanted to make it more accessible because it contains important ideas.”Anyone who enjoyed The Ragged Trousered Philanthropists will find No Surrender to be a perfect sister-volume, both in the authenticity of the adaptation and the historical sensitivity, humour and warmth of Scarlett’s art.

No Surrender review: graphic novel reworks Suffragette classic

The original novel is written in a visual style, and was less of a challenge to adapt than The Ragged Trousered Philanthropists. What makes No Surrender work is the way the relevance to our current lives shines through the story. It was read as a call to arms, told through the story of mill worker Jenny Clegg, who lives in a northern industrial town. Illustrating London in 1910 required research. No Surrender has a deeply immersive world for the words to play out across.

New Journal Enterprises

The sisters scored a publishing sensation in 2020, when their graphic novel adaptation of Robert Tressell’s seminal socialist novel, The Ragged Trousered Philanthropists, illustrated the thirst for this type of story. The pair are recent arrivals in the graphic novel world and are planning a third political tome from the same era.