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Donne nude

Donne nude

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M. Thomas Hester, Kinde Pitty and Brave Scorn: John Donne's Satyres (Durham, N.C.: Duke University Press, 1982).

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Edward W. Tayler, Donne's Idea of a Woman: Structure and Meaning in "The Anniversaries" (New York: Columbia University Press, 1991). The publication in 1919 of Donne’s Sermons: Selected Passages, edited by Logan Pearsall Smith, came as a revelation to its readers, not least those who had little taste for sermons. John Bailey, writing in the Quarterly Review(April 1920), found in these extracts “the very genius of oratory ... a masterpiece of English prose.” Sir Arthur Quiller-Couch, in Studies in Literature(1920), judged the sermons to include “the most magnificent prose ever uttered from an English pulpit, if not the most magnificent prose ever spoken in our tongue.” Conclaue Ignati (London, 1611); translated as Ignatius his Conclaue (London: Printed by N. O. for Richard More, 1611). Richard E. Hughes, The Progress of the Soul: The Interior Career of John Donne (New York: William Morrow, 1968).Roberts, John Donne: An Annotated Bibliography of Modern Criticism, 1968-1978 (Columbia: University of Missouri Press, 1982). His place in the Egerton household also brought him into acquaintance with Egerton’s domestic circle. Egerton’s brother-in-law was Sir George More, parliamentary representative for Surrey. More came up to London for an autumn sitting of Parliament in 1601, bringing with him his daughter Ann, then 17. Ann More and Donne may well have met and fallen in love during some earlier visit to the Egerton household; they were clandestinely married in December 1601 in a ceremony arranged with the help of a small group of Donne’s friends. Some months elapsed before Donne dared to break the news to the girl’s father, by letter, provoking a violent response. Donne and his helpful friends were briefly imprisoned, and More set out to get the marriage annulled, demanding that Egerton dismiss his amorous secretary. Helen Gardner, ed., John Donne: A Collection of Critical Essays (Englewood Cliffs, N.J.: Prentice-Hall, 1962). Biathanatos, edited by Ernest W. Sullivan II (Newark: University of Delaware Press / London: Associated University Presses, 1984). Louis L. Martz, The Poetry of Meditation: A Study in English Religious Literature of the Seventeenth Century (New Haven: Yale University Press, 1954).

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J. B. Leishman, The Monarch of Wit: An Analytical and Comparative Study of the Poetry of John Donne (London: Hutchinson University Library, 1951). Marjorie Hope Nicolson, The Breaking of the Circle: Studies in the Effect of the "New Science" upon Seventeenth Century Poetry (Evanston, Ill.: Northwestern University Press, 1950).Donne finds some striking images to define this state in which two people remain wholly one while they are separated. Their souls are not divided but expanded by the distance between them, “Like gold to airy thinness beat”; or they move in response to each other as the legs of twin compasses, whose fixed foot keeps the moving foot steadfast in its path: Smith, The Metaphysics of Love: Studies in Renaissance Love Poetry from Dante to Milton (Cambridge & New York: Cambridge University Press, 1985). Six Sermons Vpon Severall Occasions (London: Printed by the Printers to the Universitie of Cambridge, sold by Nicholas Fussell & Humphrey Mosley, 1634). Ferry, The "Inward" Language: Sonnets of Wyatt, Sidney, Shakespeare, Donne (Chicago: University of Chicago Press, 1983). In Donne’s poetry, language may catch the presence of God in our human dealings. The pun on the poet’s name in ““ registers the distance that the poet’s sins have put between himself and God, with new kinds of sin pressing forward as fast as God forgives those already confessed: “When thou hast done, thou hast not done, / For, I have more.” Then the puns on “sun” and “Donne” resolve these sinful anxieties themselves:



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