a b Kot, Greg (December 1, 1991). "A Guide to Metallica's Recordings". Chicago Tribune. Archived from the original on September 27, 2013 . Retrieved July 28, 2013. ARIA Top 100 Albums for 1993". Australian Recording Industry Association . Retrieved February 21, 2021. The ARIA Australian Top 100 Singles 1994". Australian Record Industry Association Ltd. Archived from the original on October 25, 2015 . Retrieved May 19, 2022. Some reviewers had reservations. Jonathan Gold, in the Los Angeles Times, said that while Metallica had embraced pop sensibilities "quite well", there was a sense the group was "no longer in love with the possibilities of its sound" on an album whose difficulty being embraced by the "metal cult" mirrored Bob Dylan going electric in the mid-1960s. [79] More critical was Robert Christgau, who wrote in his "Consumer Guide" for The Village Voice that he "put James Hetfield out of his misery in under five plays" of the album and that he "found life getting shorter with every song". [86] In his 2000 collection Christgau's Consumer Guide, Christgau later graded Metallica a "dud", indicating "a bad record whose details rarely merit further thought". [87] Metallica Is A Full Unit Again!!". Metallica.com. February 23, 2003. Archived from the original on June 9, 2008 . Retrieved January 24, 2009.

Christgau, Robert (2000). Christgau's Consumer Guide: Albums of the '90s. Macmillan. pp.xvi, 205. ISBN 0312245602 . Retrieved July 28, 2013. McIntyre, Hugh. "Metallica Makes History With Their Self-Titled Album". Forbes . Retrieved December 9, 2019.

Notes

Spanning the years 1991 to 1993, the live sets from Wembley, Moscow, Oakland, Sacramento and Mannheim inevitably become repetitive too. But they work as high-energy time capsules of Metallica in their all-conquering prime, especially the thrilling, supercharged versions of older classics like Seek And Destroy, Creeping Death and Master Of Puppets.

Oficjalna lista sprzedaży:: OLiS - Official Retail Sales Chart". OLiS. Polish Society of the Phonographic Industry. Retrieved September 23, 2021.Our full range of studio equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices. Tannenbaum, Rob (April 2001). "Playboy Interview: Metallica". Playboy. Archived from the original on October 26, 2009. a b Rosen, Craig. The Billboard Book of Number One Albums. Billboard Books, 1996 ISBN 0-8230-7586-9 Meanwhile, My Friend Of Misery is salvaged from forgettable second-division status by some fresh takes, including a sassy glam-pop makeover by French chanteuse Izïa and a luscious, head-spinning jazz rearrangement by tenor sax supremo Kamasi Washington. Magnificent collisions and unexpected connections abound. Larkin, Colin (2006). Encyclopedia of Popular Music. Vol.5 (4thed.). Oxford University Press. p.725. ISBN 0-19-531373-9.