The Sleeper and the Spindle: WINNER OF THE CILIP KATE GREENAWAY MEDAL 2016

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The Sleeper and the Spindle: WINNER OF THE CILIP KATE GREENAWAY MEDAL 2016

The Sleeper and the Spindle: WINNER OF THE CILIP KATE GREENAWAY MEDAL 2016

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El giro que le da a las historias de Blancanieves y La Bella Durmiente son muy interesantes y me pillaron por sorpresa, pues no es hasta el final que entiendes lo que verdaderamente está pasando. Igualmente, se me hizo corto, y entiendo que es una historia corta, pero el final se me hizo muy repentino. Neil Gaiman and Chris Riddell team up yet again to present this short fairy tale, a dark combination of Snow White and Sleeping Beauty. A ver, si fuera por la edición de Salamandra y las ilustraciones le ponía 20 sobre 5. Pero en esta novela/historia lo que cuenta es también, justamente, la historia. The queen (Snow White) is preparing to marry her prince and to live happily in her kingdom until she’s informed of a sleeping enchantment that’s taken over everyone in a nearby land. She takes matters into her own hands, alongside her dwarves-at-arms, and leaves on a journey to see what this enchantment is all about. Pre svega moram da kažem da sam se oduešvio što je Laguna odlučila da objavi ovo u Srbiji. Nekako mi je delovalo kao previše rizičan korak i čak sam se plašio da će (da prostite na izrazu) zgovnati knjigu i da će ona izgubiti svoju draž. Na svu sreću, ono što imam u rukama je apsolutno WOW! Tehnički i grafički knjižica je odrađena fenomenalno.

It has too many lines like this: But the path to her death, heartbeat by heartbeat, would be inevitable. or this: It would be the end of her life, she decided, if life was a time of choices. which (of course) made everything ridiculously and overwhelmingly dramatic... which is one sure way to take me out of the story.The added humour made it so much fun and my favourite character of all was first dwarf Ralph Ineson, his rumbling Leeds/Yorkshire accent made great listening, he was cast perfectly and Neil Gaiman been added in himself as Home Secretary was a bonus touch. Their reading added a different dimension to the words that I remember reading from the print version and made it sound almost new to me, and I love that. Bestselling author Neil Gaiman has long been one of the top writers in modern comics, as well as writing books for readers of all ages. He is listed in the Dictionary of Literary Biography as one of the top ten living post-modern writers, and is a prolific creator of works of prose, poetry, film, journalism, comics, song lyrics, and drama. Also, the prince deserved better than getting ghosted. There was nothing in the story that says he was anything other than a good guy. <--doesn't mean she needs to love him, but it does mean he should get more than a lifetime of wondering if his fiancee got eaten by a bear. A diferencia de los cuentos tradicionales, aquí no hay un caballero que salve a la princesa, sino que es la reina la que toma el mando y va al rescate de la bella durmiente. Al fin un cuento en el que las mujeres se muestran valientes e inteligentes.!! 👏🏼👏🏼👏🏼

We find out all is not as it seems as the Beauty wakes up. There is evilness afoot!! But alas, things are set to rights and the Queen and her dwarfs set out on their way... but the Queen is unsure of what she wants... This release is an extended cut of the story broadcast on BBC Radio 4, and features an exclusive introduction from Neil Gaiman.

There are subtle changes to this adaptation of The Sleeper and the Spindle that make it far more magical. Part of it is the performances - you really can't go wrong with Gwendoline Christie - but also a few extended scenes that make the Queen all the more heroic by reminding her of what she's left behind and by giving her more of a challenge. There are also a few more details that make the story more of a journey and that make the ending feel far more wide with possibility. You don’t need princes to save you. I don’t have a lot of patience for stories in which women are rescued by men”. As dark fairy tales go, it had its moments. I loved the sleepers talking and eventually sleepwalking after the heroes. I've said it many times before but Gaiman's tales for kids are way creepier than the ones for adults. The art by Chris Riddell added to the tale and reminded me of old woodcuts at times. Once upon a time there was a queen. She had a troubled childhood, and lived in the shadow of her abusive, narcissist stepmother. It is hard to break the spell of manipualtive, hurtful personalities. But magic works both ways. Learn to use it to grow, and there will be choices.

They fall asleep whatever they are doing, and they do not wake up,” said the sot. “Look at us. We fled the towns to come here. We have brothers and sisters, wives and children, sleeping now in their houses or cowsheds, at their workbenches. All of us.” The adaption is perfect, the story charming. I'll listen to this many time over the coming years and recommend it to everyone.It has elements of Snow White and Sleeping Beauty, set in an echo of Middle Earth, led by the women who are largely absent in Tolkien's world, plus (male) dwarfs. All are nameless, the better for us to know them, and maybe be them. She called for provisions, and for her horse, and then she rode out of the palace, towards the east.” This physically sumptuous book doesn’t open with those words, but it doesn’t need to. It immediately has the welcoming familiarity of folklore and the rhythm of myth. But that is sharpened by twists of tangled thorns, and frissons of melancholy and menace. It is eternal, but fresh. Entrancing, and new. This was an interesting take on the classic story of Sleeping Beauty, with a few new characters that you may recognise.

Poznati motivi iz bajki ispričani na malkice drugačiji način...neki bi rekli "Svetogrđe!", "Kako se samo usudio?!", a ja kažem, ako je neko mogao to da uradi na pravi način, onda je to Neil Gaiman. Award-winning Neil Gaiman shows all his story telling skills in this gripping fusion of familiar fairy tales told in a dark-hearted version with some original characters. Especially a bold-hearted queen. Not far from where the queen lives, a princess is under the spell of an enchantress who has put a whole country to sleep. Despite it being the eve of her wedding day, the bold queen decides to take action. Slipping into her mail shirt she arms herself with her sword and sets off out of the palace accompanied by the three dwarves who will lead her through the tunnels…The dark magic, great courage and spell-binding imagination that power this story is perfectly realised in Chris Riddell’s awesome illustrations. I've read so many versions of fairy tales that it takes a really interesting spin(dle) (ha) for me to enjoy. The first thing you should know: this is NOT a lesbian retelling of Sleeping Beauty. I'm sure you've all seen the Chris Riddell illustration of Snow White kissing Sleeping Beauty awake by now, and will have seen this book lauded as LGBT representation. It is not. You can walk a new path. Reject the one chosen for you. You can say no to power and yes to self-determined life. All that is possible, in the magical world of Neil Gaiman and Chris Riddell.Here, the story takes a turn toward the unexpected. As the queen soon finds out, the sleeping beauty isn’t Sleeping Beauty at all. Instead, she is the evil witch who has made a thrall army out of the whole kingdom using her sleep magic – by remaining asleep, she was able to keep the spell going, puppeteering all within its boundaries. The only person not affected by the spell is the original princess. She has been forced to wander the castle for the past seventy years, trapped inside, all alone, slowly aging into the old woman the queen had seen by the sleeper’s bedside. A thrillingly reimagined fairy tale from the truly magical combination of author Neil Gaiman and illustrator Chris Riddell - weaving together a sort-of Snow White and an almost Sleeping Beauty with a thread of dark magic, which will hold readers spellbound from start to finish. I really wanted to see that build/emotional development and the was absolutely nothing. Hugely disappointed. After a battle, the queen kills the witch, breaking the spell. The encounter makes the queen realize what her life has been missing all along – the newness and risk of adventure. They felt the castle long before they saw it, felt it as a wave of sleep that pushed them away. If they walked towards it their heads fogged, their minds frayed, their spirits fell, their thoughts clouded.”



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