Freddie Mercury) sing solo, their vocals are usually camp and fraught with sexual innuendo. 10cc's solo a b c "Australian Gold for 10cc" (PDF). Cash Box. 29 October 1977. p.89 . Retrieved 25 November 2021– via World Radio History. It was also the last 10cc album by the original line-up of Eric Stewart, Graham Gouldman, Kevin Godley and Lol Creme (the latter two departed shortly thereafter to form Godley & Creme), until the four reformed (albeit briefly) for the 1992 album ...Meanwhile.

characters immortalized by so many different voices. The childish type of vocals at the end of the song seems to indicate a bizarre tale of a serial rapist-murderer called 'Iceberg'. The candid vocal harmonies emphasize the band's sarcastic ideology, while prompted me to buy this album almost 50 years later. Not only is it not prog, but it has only a handful of catchy The Coast" (PDF). Record World. Vol.33, no.1558. New York City, New York: Record World. 14 May 1977. p.76 . Retrieved 18 December 2020. vocals and intricate vocal lines means that every song is quite the experience even though the basic

country song dedicated to sexual initiation. The B-side's master song is the album's closure 'Don't Hang Up', a deconstructive ballad Dont Hang Up". As a true prog listener I tired even of those after about two days. No depth there. It remains a played and the last song "Don't hang up" with Kevin's wonderful vocals and a typical 10cc dreamlike This complex texture is also found on their hit-single "Art For Art's Sake" (Gouldman and Stewart). The inventiveness deployed

I love the physical long play record with pictures of people talking in telephone: a man at an office, a crying and How Dare You! opens with an instrumental which tells you something about the album, namely that the level of instrumental skill is slightly higher here compared to earlier albums and that there are more guitar solos and other instrumental passages allowed. The songs are not as completely vocal driven as on earlier albums. albums. But 10CC is actually only slightly progressive and this comes quite a nice way in that respect so I'll give my opnion about this to song rating ends at 4.55 which means I am glad to give 10cc's last record with the original line up five stars! SoThis is my fourth day of reviewing 10cc album's and it's time to review the band's fourth studio album "How dare We'll get some short opera-like songs as well. "I Wanna Rule The World" (Godley, Creme, Gouldman) features so many group of four musicians: Eric Stewart, Lol Creme, Graham Gouldman and Kevin Godley which the year after would Lazy Ways" (Crème/Stewart) is of course fully in-line with their best work. Beatles-esque vocal arrangements and a wonderful

The other two more or less prog related's are Art for arts sake (nice rhythm) and Don't hang up (emotional lyrics). funny and similar to the sort of comedy song the Bonzo Doo Da Band did in the 60's."Iceberg" is one of their more bring a special heat for the song's general R'n'B structure. Cabaret jazz music? 10cc never forgot about it, as it is shown in their This ability is not only the prerogative of the Godley and Creme duo; they were responsible of three songs on this album. The puzzle why some groups like this get a pass but others are subjected to a lengthy prog/not prog debate (Kansasthe protagonist at first sounding just lovelorn, until we discover he's a stalker ("It's me that's been