Crew [Thin Lizzy Crew on the tour 'Bad Reputation’ 1977], Management [Accountant] – John Slattery & Associates Some pressings of the record sleeve include a montage photograph in the studio containing a mirror, straw, razor blade and a rolled up five pound note (as an overt reference to cocaine consumption). Lynott insisted on adding the picture over the rest of the band's objections. [17] Release [ edit ] Live and Dangerous Matrix / Runout (Runout, C-side, [stamped, S letter rotated 90°], variant 5): 10 AA9199658 1Y 320 1A=1F S Dutchcharts.nl – Thin Lizzy – Live and Dangerous" (in Dutch). Hung Medien. Retrieved 28 January 2023. The footage of the lineup with John Sykes was very, very cool to see. Sykes is on par with Gary Moore for chops and played with a lot of enthusiasm. The songs from Thunder and Lightning were welcome to hear too, those tunes have really grown on me, and add to the scope of Phil's writing catalog. The sound was a lot better to my ears than that on the Rainbow Theatre footage. I very much appreciate getting this footage for the price of the DVD which ostensibly geared toward the Rainbow Theatre.

You can hear the love for what they are doing and can’t help but smile yourself as you listen. And all of that is enough to transcend any ‘overdubgate’ because that is something you can’t fake, and it shows that, at the end of the day, this is just a great album and that’s all there is to it. Crew [Thin Lizzy Crew on the tour 'Bad Reputation’ 1977], Technician [Guitars - Brian R.] – Bill Cayley

Crew [Thin Lizzy Crew on the tour 'Bad Reputation’ 1977], Technician [Guitars - Scott] – Andy Moore (13) Matrix / Runout (Side C runout, stamped, variant 8): 9199646 1Y //1 UT 11 32 (etched LOUIE) [Lyre Symbol] Crew [Thin Lizzy Crew on the tour 'Johnny The Fox' 1976], Crew [Driver] – Cowbell Ltd.*, Nigel Hudson

Adrian Bolster: I was 14 at the time, still have my vinyl copy with photos from Fin Costello. Harmonica from Huey Lewis (Clover) on Baby Drives Me Crazy and John Earl on Sax from Graham Parker and The Rumour. Awesome. The best live album ever? It's always funny to see that just about every live-album is said or written to be the best live album in existence. Likewise from this album. I think I have 20 live albums with that predicate.

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NOTE, on all the performance and interview footage I had to manually put the sound settings on stereo, the default is 5.1 and was muted on my system. At first I thought something was wrong with the DVD. The audio in the menus was on all the time for me. Now that I know that have to put the audio setting on stereo I'm not having problems.

Andrew Bramah: Great album. Only let down by the omission of a few songs they played when I saw them. Like Soldier Of Fortune which they opened with with, and Opium Trail and Bad Reputation. Side three of the original vinyl album is a bit generic crowd pleasing. I still think Robertson was a huge natural talent wasted. Crew [People who were involved on the tour: 'Bad Reputation’ 1977], Technician [Spotlights] – Gary Carnes Kent, David (1993). Australian Chart Book 1970–1992 (illustrateded.). St Ives, N.S.W.: Australian Chart Book. p.19. ISBN 0-646-11917-6. Offiziellecharts.de – Thin Lizzy – Live and Dangerous" (in German). GfK Entertainment Charts. Retrieved 27 January 2023. The band and Visconti listened to over 30 hours of archive recordings, looking for the best performances. [3] The album's sleeve notes credit two concerts as its source: Hammersmith Odeon, London, England on 14 November 1976 (part of the tour for Johnny the Fox, released earlier that year), and Seneca College Fieldhouse, Don Mills, Toronto, Ontario, Canada on 28 October 1977 (part of the tour for Bad Reputation). [1]

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Billboard Japan Hot Albums – Week of January 25, 2023". Billboard Japan (in Japanese) . Retrieved 25 January 2023. This 8 CD Super Deluxe Edition is a treasure trove for Thin Lizzy fans. It includes seven shows from 1976 to 1978, meticulously remastered from the original tapes. The box set features performances from iconic venues like the Hammersmith Odeon and the Tower Theater in Philadelphia, capturing the band’s raw energy and stage presence.