There’s a part where Enola complains that men are idiots and that being beautiful will get you way more attention. Although Enola has never dressed as a boy and does not wish to, she does realize that trousers would frequently be much more convenient than her skirts. The villain sometimes dresses as a man, frequently taking the role of the brother-in-law she murdered. While her sister is freaked out by her desire to dress as a man, Enola thinks that the villain makes a much more satisfactory man than woman, and the sister is narrow-minded to think otherwise. Classism Auch hier wurden wieder recht erwachsene Themen untergebracht mit Referenzen zu den Impfgegnern des 19. Jahrhunderts und der Versorgung psychisch kranker Leute zu dieser Zeit. Ich kann diese Buchreihe also nur empfehlen. The fact that Enola guessed the solution because asparagus sounds like a spear of gus which sounds like Augustus which is the name of a guy recently put into an asylum is kinda hilarious to me. It should be in the dislikes, but it’s just so funny and preposterous how she keeps stumbling into clues that I’m gonna put it here. Abseits des "gesellschaftlichen Lebens" im viktorianischen London ist Enola sehr frei aufgewachsen, was vor allem durch die unkoventionelle Lebensart ihrer Mutter zustande kam. Diese ist jedoch verschwunden und Enola seither auf sich allein gestellt - und sie bekommt ihr Leben sehr gut in den Griff!

In an earlier volume, Seth, Anaya, and Petra began growing physical characteristics that made them realize they were half alien. Seth has wings, Petra has a tail, and Anaya has fur. They also have the power of telepathy, which Anaya uses to converse with Terra, a cryptogen rebel looking for human allies who could help stop the invasion of Earth. Terra plans to use a virus stored in the three teens’ bodies to disarm the flyers, which are the winged aliens that are both masterminding the invasion and enslaving the other species of cryptogens known as swimmers and runners. But Terra and her allies can’t pull any of this off without the help of Anaya, Seth, and Petra. Although the trio is anxious about their abilities, they don’t have much of a choice—the entire human race is depending on them for salvation. Like its predecessors, this trilogy closer is fast-paced and well structured. Despite its post-apocalyptic setting, the story is fundamentally character driven, and it is incredibly satisfying to watch each protagonist overcome their inner battles within the context of the larger human-alien war. Main characters read as White. It is difficult to choose a new name for oneself. Even more difficult, than choosing a name for a child, for one is confusingly intimate with oneself, whereas one is barely acquainted with a baby upon its arrival. a b c d Montz, Amy L. (2019). "Unbinding the Victorian Girl: Corsetry and Neo-Victorian Young Adult Literature". Children's Literature Association Quarterly. 44 (1): 88–101. doi: 10.1353/chq.2019.0005. En cuanto a la trama, es una novela con juvenil sencilla con un toque de misterio que hace que quieras seguir leyendo para descubrir el final de la trama.⠀⠀ Once again, an interesting adventure involving Enola. With these books, it's really "Keep it simple". So by that I mean that nothing was written here to stretch, but everything has to do with the case and the time around it.Springer, Nancy (22 June 2015). "Nancy Springer Interview" (Interview). Interviewed by Dag R . Retrieved 8 October 2020. Ich bin mir auch noch nicht ganz sicher, ob es von der Autorin eine gute Idee war, die Auflösung des Falls um den verschwundenen Dr. Watson im ersten Kapitel schon zu verraten oder nicht. Der Vorteil war, dass ich als Leser immer wusste, ob Enola auf der richtigen Spur ist oder nicht. Enola rents a room across from the shop so she can watch the women. She overhears that Flora was disfigured very young. When Pertelote failed to babysit her effectively, Flora’s face was eaten off by rats. Enola learns Dr. Watson signed off on Flora’s admission to the insane asylum. The sisters almost catch Enola spying on them. She flees and hurts herself in the process. Secret messages through flowers are one of my favourite tropes. Do people still read things into bouquets like that?

Enola shows herself to be an intelligent, rational, resourceful, and brave protagonist. Readers will look forward to hearing this heroine’s unique voice again.” — Publishers Weekly, starred reviewHo apprezzato particolarmente anche l'aver inserito, data la trama, anche la moglie di John - non era scontata la sua presenza, credetemi -. Kroll, Justin (February 8, 2019). " 'Killing Eve' Director to Helm Millie Bobby Brown's 'Enola Holmes' ". Variety . Retrieved 2019-02-19.