In 1886 at the age of 18, Margaret moved to Leadville, Colorado, and began working at a local department store. It was in Leadville, circa spring 1886, that she met James Joseph “J.J.” Brown, a local mining foreman. The action moves to the 19th century. Here, the pace is slower, but no less compelling. It follows a young not terribly successful painter, Paul, living with his sister Maggie a teacher, in Kentish Town. Friendships bloom, and he paints delightful scenes in Kensington Gardens – evocatively described. Paul, however, keeps seeing the ghostly figures in white of a mother and her two daughters. And wherever he goes, including Hastings, the figures appear and haunt his days and nights. Maggie meanwhile is beguiled by a painting she has seen in an auction, ‘School of Merrymount.’ Quinn is skilful with tension, fine historic detail, and the emotional conflict of his characters. Paul on Beachy Head: ‘below the sea glistened, immense, indifferent. It would be quite something to paint at this height.’

A hero of the American Revolution, Margaret Cochran Corbin was the first woman to receive a military pension. While Brown didn’t see the Titanic sink—she claimed that Lifeboat No. 6 was at least a mile and a half away by the time it did—she noted that a “great sweep of water” went over the boat, and at that time, the other passengers on her lifeboat all knew “the steamer was gone.” While many myths persist about Brown, her actions on April 15, 1912—the night the Titanic sank—are not counted among them. In an interview with The New York Times published less than a week after the sinking, she recounted her experiences, claiming that at first, the “whole thing was so formal that it was difficult for [anyone] to realize that it was a tragedy.”Three timelines, three studies of artist families. ‘Molly & the Captain’ by Anthony Quinn is the story of one painting via three families across three centuries. It starts in Georgian Bath with the artist William Merrymount and his two daughters. His portrait of the two girls, ‘Molly & the Captain,’ intrigues through the centuries and ends up in North London in the current time.

Molly & the Captain is a story about time and art and love. Through the prism of a single painting it examines the mysteries of creativity, and the ambiguous nature of success. What weighs more, loyalty to one's talent or loyalty to one's blood? Does self-sacrifice ennoble the soul or degrade it? And what does it mean to speak of the past when its hold on the present is inescapable?The next section skips forward 100 years to the end of the 19th century. Our hero here is Paul Stransom, an artist with a twisted spine and a gifted eye. “Talent had come to him as mysteriously as disability,” we learn. Stransom lives with his sister, Maggie, in Chelsea. She is a teacher, disappointed in life and work, who in her late 20s has “the impression of an interesting future behind her”. Then, suddenly, she is being courted by two men, one of whom offers her Portrait of a Young Man. Curtis wrote that “Captain Molly”, seeing her husband fall, “threw down the pail of water, and crying to her dead consort, ‘lie there my darling while I avenge ye,’ grasped the ramrod” to fire the cannon. Whilst this book could be described as historical fiction I felt the late 20th century sections were stronger and the story here more character than history lead .There is something for everyone in this novel and would be enjoyed by a range of readers from lovers of historical fiction to those who like women’s fiction Victoria Flynn ( Katy Mixon) is Molly's dimwitted but kind, party girl sister who is often high on marijuana. (Policemen Mike and Carl take a "don't tell, we won't ask" attitude about her drug use.) She is employed as a beautician at a funeral home. She likes to have fun and sleeps around, frequently with married men, and her combination of not being particularly bright and being a pothead leads to her often losing or misplacing major items like her car. Harry has an almost obsessive crush on her, and she has on occasion gone on dates with him just to be nice. In Season 3, she starts to realize that Harry is the only man who's ever truly cared for her, and she finally kisses him. In an odd turn of events, he then announces he's gay. As of the end of Season 4, she is in a relationship with Carl, which lasts until the penultimate episode of Season 5 when they have a bitter break up. In the series finale, it's revealed that they're sleeping together, but it is hinted that there is the possibility of it becoming more serious.

The final section in Kentish Town in the 1980s recounts artist Nell and her daughter Billie, the latter a film actress appearing in what sounds like a British version of Wim Wenders’ The Wings of Desire, as they both vie for the affections of a young pop star, Robbie. This is all very enjoyable, by turns comical and poignant. A secret about the titular painting emerges to bind all three sections tightly together. One infamous story that was later interpreted as being about McCauley comes from Revolutionary War veteran Joseph Plumb Martin’s 1830 book, A Narrative of Some of the Adventures, Dangers, and Sufferings of a Revolutionary Soldier. Martin’s description of a woman at Monmouth is quite remarkable: The first section of the novel, almost a novella in itself, is a collection of writings by Laura Merrymount. In her journal entries she is smart and perceptive, writing fondly of her father who is known as “the finest Face painter in England” and her sister, the “wild and headstrong” Molly, who is prone to “fits” and “delirium”. We also read Laura’s letters to Susan, a cousin in Sussex, in which she describes the glamour of the family’s life in Bath and London and, increasingly, the attentions of two people: the rakish Mr Lowther and an actor, Mrs Vavasor. The final – and longest – section, set in 1983, is largely a story of strained family relationships. It was my least favourite part of the book not because it’s not well written but because it seemed the most tangential to the story of fate of the painting. I suspect it may be of most interest to those who, like me, have read the author’s earlier book, Eureka, because it features a key character from that book, actress Billie Cantrip. In fact, this section felt rather like a follow-up to Eureka. What Billie did next, if you like. The final reveal of the solution to the mystery of the painting Molly & the Captain didn’t come as much of a revelation to me nor, I suspect, to other observant readers. However it did neatly bring the story full circle providing links between characters separated by centuries.Soldiers living at camp with Hays remembered her as a “22-year-old illiterate pregnant woman who smoked and chewed tobacco and swore as well as any of the male soldiers.”