Ocr tesseract 5.0.0-alpha-20201231-10-g1236 Ocr_detected_lang en Ocr_detected_lang_conf 1.0000 Ocr_detected_script Latin Ocr_detected_script_conf 0.9120 Ocr_module_version 0.0.13 Ocr_parameters -l eng Old_pallet IA-NS-2000230 Openlibrary_edition Care-i diferența dintre un corb și un birou? a întrebat în timp ce-și scotea ceasul și și-l ducea la ureche. Și în cât suntem azi? A heart-warming tale of how friendships begin... This book is a wonderful tactile experience, from the shimmery glittery cover... to the gentle watercolours inside, which are printed on the creamiest of papers.' The Irish Times The setting is Wonderland, a strange and seemingly crazy world that is entered by dropping into a rabbit hole. Animals act as normal people. The story is in the past.

Emma Chichester Clark has illustrated a vast number of children's books, and she has also written and illustrated many of her own stories, mainly for very young children. You don't have to get too sentimental to find something special!The light in the illustrations makes this book all the more magical.' Access-restricted-item true Addeddate 2021-05-12 09:00:37 Associated-names Carroll, Lewis, 1832-1898 Boxid IA40110604 Camera USB PTP Class Camera Collection_set printdisabled External-identifier Nici povestea adaptată de aceasta nu m-a dezamăgit, și mă bucur că autoarea a reușit să creeze un echilibru minunat între desen și text.McDermott says he thinks of this stage version as being not so much an adaptation of the film as ‘a sister’ to it A heart-warming tale of how friendships begin! This book is a wonderful tactile experience, from the shimmery glittery cover! to the gentle watercolours inside, which are printed on the creamiest of papers.' Other stories celebrate everyday life: Eliza and the Moonchild (2007) is a delightful and inventive story in which a moonchild becomes bored with the whiteness of his moon home and decides to visit Earth, where he meets Eliza who shows him the beautiful colours of the planet. Though it is a fantasy story, it is rooted in the child's everyday reality - the excitement of the moonchild exploring Earth for the first time encourages readers to observe and appreciate the world we live in, and does in fact echo the excitement of a toddler's day-to-day explorations and discoveries. Alice's motif for entering and intersecting Wonderland is simply curiosity: she sees a White Rabbit and decides to follow him because he has a watch and is wearing a waistcoat. Puppeteers flit through the action like grey-clad beekeepers. They can be seen pushing the scenery, making the ears of a creature twitch, or – beautifully – sending bevies of creatures and clumps of vegetation sweeping across the stage at the end of their rods. At one point they push the veils away from their faces and seem to be – as the puppeteers in Warhorse were – the souls of the creatures and the real pulse of the play.

acest an am prins mai bine gustul pentru povestea cu Alice în Țara Minunilor, ea ducându-mă cu gândul la copilărie, la vremurile când nu aveam atât de multe griji, iar lucrurile ciudate și pline de nonsens erau la ordinea zilei. It delights children but adults will appreciate the period evocation of the festive-season cities and the off-season seaside.' The Sunday Times

Her illustrated stories, which feature both child and animal characters and often combine realistic and fantasy worlds, have been highly acclaimed: Chichester Clark has been described as 'one of England's most distinguished picture-book creators', and her work is often likened to that of Edward Ardizzone, Tony Ross and Quentin Blake, who was her teacher ( Gale Biographies of Children's Authors: Something About the Author, 2006).