You can use the G6 as a 2-in / 2-out interface, so you can record killer tones right to your favorite DAW. With the B6 in Bank/Patch mode, select an empty effects slot and then switch to Effects Board mode. The touchscreen will display six instances of the bypass ‘effect’. It's a volume pedal, a Wah pedal and a pitch bender, all in one. Plug the FP02M into your Zoom guitar or bass effects device to add real-time control over volume, Wah or pitch, as well as effects parameters such as modulation rate, distortion gain, and delay or reverb level. Rugged enough for the road, the FP02M sports an all-metal chassis and comes with a ¼" to ¼" connection cable. Get the exact sound you want on stage with the G6 Guitar Multi-Effects Processorfrom Zoom, a digital pedalboard with a multitude of effects, 22 amp emulations, 70 cabinet impulse responses, and room for 100 of your own favorite IRs. Add to the mix a 2-in / 2-out audio interface, and you'll have a board that can serve you whether you're playing live through an amp, routing sound to the house PA, or recording to a DAW. The contents of this document and the specifications of the product could be changed without notice.

Please note that this extended warranty is currently only available on products sold within the UK, EU or EEA, and is subject to the terms and conditions as detailed on the extended warranty certificate provided. LIFT ( ):This disconnects the ground pin from the ground. This is useful if noise is caused by a ground loop.

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The G6 provides 70 preloaded, full-spectrum impulse responses of cabinets, which is quite useful if you're routing your sound directly into a house PA. These impulse responses were captured by placing the microphone in three different positions. Each cabinet has a recording where the mic was placed 1"" away, 12"" away, and deeper out into the room. The available effect types include various bass effects and amp/cabinet simulation models. Effects can be selected from these types to be added to patch memories. Category For customers in outlying areas of the country, the price of the Extended Warranty may be marginally higher, due to the potential for higher collection and redelivery transport costs.

Effects Board mode is also where you begin to configure and fine‑tune patches. This can be done by creating them from scratch or copying and modifying a preconfigured patch, but either way, it’s where all the fun starts. The B6 offers a total of 119 effects, each with an individual set of parameter controls, across 13 categories. The categories, followed by the number of effects in each are: Filter (13), Drive (13), Preamp (13), Bass Amp (11), Bass Cab (12), Modulation (17), SFX (7), Delay (7), Reverb (8), Pedal (6), Send/Return (3), and Impulse Response (1). Most of the categories are self‑explanatory, but those that perhaps aren’t work as follows... rhythm patterns and a built-in 2-hour looper (with SD card) let you create interesting textures all by yourself. At the top right is an input selection switch. The B6 can accommodate two instruments (hurrah!) and this switch simply selects between them. Directly below the input switch is a DI selection switch that cycles through two valve types and two transistor types of modelled DI box. If you’d rather not have a DI box model at the end of your signal chain, there’s also a defeat option. Finally, at the bottom right‑hand side is a bypass switch. It cycles through options of bypass off, bypass effects (leaving any selected DI option in place) and bypass all. However, the Gear4music extended warranty scheme provides an enhanced service, and is designed to offer a higher level of protection than many 'free' warranties offered by some retailers and manufacturers. This enables wireless control of the B6 from an iPhone/iPad using the iOS/iPadOS Handy Guitar Lab for B6 app. USB (Micro-B) port Connecting a computer makes the following possible.You should get an instant answer on whether your application has been successful, though in some rare cases Klarna or V12 may need to look at the application in more detail.

If an item can not be repaired, a similar alternative product or cash discount (as defined in this policy) will be offered The four Effect footswitches along the bottom of the unit change their function according to the current Play Mode. Here, in Effect Board mode, the lower four footswitches engage and bypass four of the current patch’s six stompbox models. Maximum output level: Line ＋11.4 dBu (when 10 kΩ or more output impedance)/Phones 24 mW ＋ 24 mW (32 Ω load) Patch memories store effects and amps used, effect on/off states and parameter setting values, allowing easy recall. Effects are saved and recalled in units of patch memories. Up to 9 effects can be added to a patch memory, and up to 240 patch memories can be stored. Bank

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In Memory mode, the touchscreen displays the four patches in the selected bank along with arrow icons that scroll either way through the banks. The patches are also assigned to the four front footswitches. Pressing one, or touching one of the screen icons, will enable the patch. Memory mode, with its easy access to four patches, is really well suited to selecting alternate patches for different sections of a song. Patches can be easily renamed and could reflect song sections (intro, verse, chorus, break, for example). The B6 is very much larger and very much more capable than the B3 and its successor, the B3n. For a start, where the B3n offers a total of 67 individual ‘stompbox’‑style effects or amp models (each one of course separately configurable), the B6 offers around 115. And whereas the B3n enabled each patch to be built from a chain of up to three effects, the B6 accommodates six. But that’s just the beginning of the B6 story; there’s much more to it than just effects count and patch chain length. Probably the easiest way to begin to explain all there is to play with (and there is a lot) is to describe its physical format, so that’s what I’ll do. Now swipe down on the touchscreen to the settings menus and select Change Amp/Effect. This will return you to the previous Effects Board patch display but now with a ‘swap’ icon on each of the six effects slots.

The last of the four ‘hard’ switches, the one to the right of the touchscreen, actually has two functions. Firstly, if a looper or rhythm generator (more of both later) tempo is required, repeatedly tapping the switch defines said temo. Secondly, if you press and hold the switch, a big, bold and wonderfully clear tuner display appears on the B6 screen. Engaging the tuner also usefully mutes the B6 output. I found the tuner easy to use and reassuringly stable. It tunes chromatically to 440Hz by default, but other options can be configured if required. This review period coincided with me rehearsing and playing a series of gigs as part of the Brighton Fringe Festival, so as well as it being used in the slightly sterile and low‑pressure environment of my home studio, it also got a proper cramped rehearsal studio and sweaty gig workout. It passed the test with aplomb and was the subject of admiring glances from both bandmates and sound techs. The only minor frustration for me was with the position of the input footswitch. Said switch is located at the top right and consequently requires rather more extreme one‑legged balancing to operate than it would if it were located front right where the much less used Bypass switch is located. The set list at the gigs had me swapping between electric and upright basses almost every other song, so I was doing quite a bit of one‑legged balancing — but perhaps swapping between instruments so often, rather than the footswitch position, was actually the problem that needed fixing... By using an SD card, the recording time can be lengthened and phrases can be saved. An SD card also enables use of other audio files as loops. Preselect Now tap on one of the effects slots and the main effects menu will open. Tap on one of the effect categories, followed by the desired effect, and then tap OK. Returning to the Effects Board screen will display the chosen effect located in the appropriate position. If you want more than one effect (which you almost certainly will) in a patch, adding more is simply a case of repeating the Change/Amp Effect stage — but there is a catch, which I’ve discussed in the ‘Load Limits’ box. And finally, with a patch built you can swipe down to the settings menus to rename and save it (although the default behaviour of the B6 is actually to auto‑save patches). You can also assign four effects in a patch to a specific front‑edge footswitch, although if you find yourself in a situation where individual effects need bypassing or enabling during a performance, building a separate patch is probably more sensible.The G6 has room for 240 patches including 100 presets, so you can build patches for each song in your repertoire and easily cycle through your setlist. Create patches of up to nine effects or seven effects plus emulation.