It is difficult to know what role lesbians’ sexuality played in their detention. Sometimes their arrest had little or nothing to do with the fact that they were lesbians. At other times, their sexuality may have played a role. This was especially the case regarding arrests prompted by denunciations. Denunciations frequently affected people considered social outsiders. Denunciations of Lesbians There's a slow and persistent burn in Mona Fastvold's The World to Come. The gorgeously spare period piece stars Katherine Waterston ( Alien: Covenant) as Abigail and Vanessa Kirby ( The Crown) as Tallie, two women battling the harsh elements in 19th-century New York State who find solace and a whole lot more in one another. During the Nazi regime, lesbians could not continue to live and socialize as they had during the Weimar Republic. Much of German society saw lesbians as social outsiders, meaning people who did not fit into the mainstream. As such, they had a higher risk of being denounced and then targeted by the Nazi regime.

Part revenge tale and part redemption song, Lizzie took years for indie darling Chloe Sevigny ( Boys Don't Cry, Big Love, Love and Friendship) and out writer Bryce Kass to shepherd to the screen. Although there were several iterations along the way, the final version of the film about the ax killer from the tiny town of Fall River, Mass., couldn't have come at a timelier moment. A film that shares a lineage with the queer true crime-based films of the '90s like Heavenly Creatures and Sister My Sister, Lizzie is a fresh take on the "murderous lesbians'" trope. The movie also fits right in with the #MeToo era, with Lizzie and her maid/love interest/co-conspirator Bridget (Kristen Stewart) literally bashing toxic masculinity in the face. It remains a research challenge to find historical sources related to lesbian experiences under the Nazi regime. Distinct lesbian communities developed around this time. Lesbians founded social clubs and associations to foster networks and connections. The most famous lesbian associations were the Violetta and Monbijou women’s clubs ( Damenklub Violetta and Damenklub Monbijou) in Berlin. These associations held informal gatherings in lesbian bars and nightclubs, such as the dance club Monokel-Diele. Lesbians also gathered at the famous Eldorado nightclub. By eliminating gay and lesbian gathering places and presses, the regime effectively dissolved the lesbian communities that had developed during the Weimar Republic. Expanding the Persecution of Men Accused of Homosexuality In the camps, women who self-identified or were identified as lesbians did not wear the pink triangle. Instead, they wore badges that corresponded to the official reason for their arrest and internment. Sexual Relations between Women in Concentration Camps

Before, during, and after the Nazi regime, men accused of homosexuality were prosecuted under Paragraph 175 of the German criminal code. This statute criminalized sexual relations between men. It did not apply to sexual relations between women. Nonetheless, beginning in 1933, the Nazi regime harassed and destroyed lesbian communities and networks that had developed during the Weimar Republic (1918–1933). This created a climate of restriction and fear for many lesbians. But even in cases when lesbians were arrested and sent to concentration camps, the records can be hard to find. One of the greatest challenges is that lesbians were rarely identified as such in official records from the Nazi era. Yet, denunciations could cause unwanted scrutiny for lesbians. Sometimes a denunciation led the police to discover criminal offenses. For example, it could reveal ties to a resistance organization, friendship with Jews, or subversive political behavior. In those cases, women could be arrested and sent to concentration camps. The Case of Elli Smula and Margarete Rosenberg Besides being a genuinely considerate movie with some thoughtful meditations on religion and culture, it has the added thrill of having super erotic sex scenes, made possible because:

As am I. Representation always matters, whether it's in the Halls of Congress or at your local independent theater. Queer women deserve to have their queer female sex represented on screen, without it devolving into typical pornographic tropes: shaved vaginas, sorority sisters, giant jiggly boobs, foot-long dildos, scissoring, a well-hung neighbor guy who just "pops in" for a threesome, etc. There's absolutely nothing wrong with any of these erotic ingredients, per se, but it's formulaic and not particularly representational of most queer sex. I also love the way Sebastián chose to shoot it. It was storyboarded. All the wetness, the spitting in the mouth, the pubic hair, the vaginas, but also leaving some of it to the audience to imagine. Where is the other woman’s mouth, where are her fingers? It was important for him to focus on our faces to really capture that desire. There’s something very spiritual about their sex. I’m really proud of it." The short answer is that when lesbians were arrested, they were arrested as members of other groups: The Nazis classified prisoners in concentration camps into groups according to the reason for their imprisonment. By 1938, these groups were identified with various colored badges worn on camp uniforms. Men imprisoned for allegedly violating Paragraph 175 had to wear a pink triangle. The badge identified them as “homosexual” ( homosexuell ) according to the classification system. Colette, about the trailblazing writer Sidonie-Gabrielle Colette, who engaged in relationships with men, women, and trans-masculine-identifying people circa the Belle Epoque, is queer to its core. In the film directed by Wash Westmoreland, who is gay, Keira Knightley embodies the pansexual bohemian feminist who stepped out of her husband's shadow to become the most famous female French author in the world.

Some women engaged in sexual relations with their fellow female prisoners. It is important to note that such relations do not always fit neatly within the category of “lesbianism.” This is because not all women who engaged in same-sex relations were lesbians. Some women developed same-sex relationships and later described them as a source of comfort in the camps. Others even saw them as necessary for survival. During the Weimar era, Germans publicly challenged gender and sexual norms. This was especially true in big cities such as Berlin, Hamburg, and Frankfurt am Main. Weimar’s Lesbian Networks and Communities The Nazis did not create any separate policies that singled out lesbians as a problem for Aryan procreation. Their reasoning drew on widespread attitudes about the differences between male and female sexuality. The Nazis concluded that Aryan lesbians could easily be persuaded or forced to bear children. Lesbian Responses to the Nazi Regime Lesbians responded to these new fears and conditions in different ways. Not all lesbians made the same decisions. Nor did they all have the same choices. For example, Aryan lesbians had far more options than Jewish or Romani lesbians, who—above all — faced persecution for racial reasons.

Based on archival sources, it is clear that some lesbians were arrested and sent to concentration camps. What were some of the reasons for their arrest and detention, especially considering sexual relations between women were not illegal under the Nazi regime? More than half a century after Patricia Highsmith's groundbreaking 1952 novel The Price of Salt/Carol was released, Todd Haynes's big-screen adaptation Carol became revolutionary in its own way. The film, starring Cate Blanchett as the titular Carol, a soon-to-be-divorced New Jersey socialite and mother who falls for Rooney Mara's Therese, the shopgirl who is, as Carol notes, "flung out of space," earned six Oscar nominations, even if it was snubbed in the Best Picture category. Still, it was the first Oscar-worthy love story about a female couple in which a man does not steal focus and that doesn't end in disaster or death for the women. In fact, the novel and the film's hopeful ending offers a possible happily-ever-after for Carol and Therese.I'm not about to put Kissing Jessica Stein in this category, because it's too weak of a queer film to be even considered. There's also Mulholland Drive, which had some very brief hot queer moments relative to its era (2001). Heavenly Creatures (1994) served the queer goth community particularly well. Sadly, that community is relatively small. It's more than a kind of first love. It's a first everything: first friendship, first real companion, intellectual companion. There's a trust from the first moment they look at each other, that this person understands me. And in a way that they've never had before," Waterston tells The Advocate.