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According to The Film Stage, the book “is often considered the essential literary source on film editing. Don’t necessarily operate on the elbow: instead, discover if nerves are being pinched somewhere else. Walter Murch, a long time editor, made a book from a couple lectures he's lectured about the art of editing - his personal editing philosophies, technical trips and tricks, and comparing the philosophical and technical differences between film editing and digital/electric editing. Not quite on par with "The Conversations," the book of interviews between Murch and Michael Ondaatje, but an absolutely stellar and essential read for anyone interested in film on a more than superficial level. Bók Walter Murch um klipp á kvikmyndum dregur upp ýmsar vangaveltur um vinnuaðferðir klipparans í gegnum tíðina þar sem Murch notast aðalleg við frásagnir úr eigin starfsæfi.
he treats the reader to a marvelous ‘ride’ through the esthetics and practical concerns of cutting film. Well written and this is the second edition, although as the author knew would happen, film production has moved on fast. clean, unmarked, tight pages; 3 lines of writing on rear flyleaf; cover has light shelf and corner wear and the plastic film overlay is rippling on front and back. Murch treats the reader to a wonderful ride through the aesthetics and practical concerns of cutting film. Svo er líka gaman að sjá hversu vel hann nær að spá fyrir náframtíðinni en allt sem hann segir hefur orðið að veruleika í dag.
Once you finish the book you'll start noticing the decision making in the offline editing, in abundance many great films. It's not a book on how to edit as in what quick keys you should use or how to diagram a scene to keep continuity. Divided into two parts, this book is essentially the sharing of a film editor from his career and the history of editing technology from his personal experience.
The second half is about digital editing, and the first 10 pages or so of that are a little specific about technologies, and things I already knew about (e. The author points out that people watching something intently don't blink, but people changing their mind, submitting, or holding conflicting thoughts, blink rapidly. This book was perhaps relevant when it came out, 20+ years ago, and then immediately became outdated. Going in to detail about when and why we blink he takes this and talks about when to cut and how blinking so important.The first half is about the art of editing itself (and more old-style/analog editing), distilling several days worth of raw footage into a final product lasting only few hours. Later in the book, after all that stuff, he talks about the differences between film editing and digital/electric editing. The 103 third parties who use cookies on this service do so for their purposes of displaying and measuring personalized ads, generating audience insights, and developing and improving products. Used books have different signs of use and might not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. The way the pictures collide together when mounted on the wall may lead to a new way of looking at things.
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