Das ungelenke Remake mit Stallone sieht, obwohl in den 2000er Jahren gedreht, gegen diesen über 40 Jahre zählenden Klassiker einfach nur alt aus. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (software uniformly simulated HDR) , The Ship Hotel – Tyne Main (1967, 33 mins): Philip Trevelyan's wonderful film about a pub on the banks of the River Tyne

Throughout the entire process, director Mike Hodges was consulted and signed off the final restoration. Wrong! Helpful correspondent Jonathan Hertzberg offers a welcome correction (but keep reading at end):

The film is now more than half a century old, and yet it continues to win fans with each new generation – and the latest are bound to be enthralled by a 4K and Blu-ray release from the BFI. Director Mike Hodges says the quality is fantastic – and he’s absolutely right. In fact, the film probably looks better now than it did on its big screen release in 1971.

clear to my ear, but for others the fear of the original American distributors may be justified, i.e., average bitrate of 21.96 Mbps, which is certainly better than some of Warner's efforts but is still Hardcore fans (like ME!) who want the real deal now have a way to get it. Do you think you could update your review with an additional footnote/notice? Thank you sir for your consideration! -- Jeffrey Nelson aka WaverBoy aka Serious Michael Caine Fan (11.07.14). Like seeing it for the first time”, might be a clichéd saying, but with regard to this new print, it really is.

Die Disc bietet eine Einführung von Michael Caine, Trailer, eine isolierte Tonspur für die von Jazzklängen bestimmte Filmmusik, sowie englische Untertitel und einen Audio-Kommentar von Regisseur Mike Hodges, Michael Caine und Kameramann Wolfgang Suschitzky. A much better trailer that hints at plot points that it savvily avoids revealing, and includes a few quotes praising the film, including one from enthusiastic fan, Edgar Wright. This two-disc BFI Blu-ray edition includes a treasure trove of bonuses: documentaries, interviews as well as fascinating audio commentaries from Hodges, Suschitzky and Michael Caine, shedding much light – and a good dose of humour – on the spontaneous way in which the film was shot, with no story-board, just going with the momentary flow. The BFI also include a really well put together book, with great photos and illuminating articles about various aspects of the film and the creative team. here, although the screencaps do not fully convey the extent to which the grain moves in film-like patterns to convey detail within the image. Given the Bei dieser DVD handelt es sich um einen UK-Import mit der ungeschnittenen Originaversion ohne deutsche Tonspur. In Deutschland gibt es ihn (noch) nicht ungeschnitten fürs Heimkino. Er ist in bei uns ungekürzt ab 18 Jahren freigegeben und läuft, da es keine vollständige deutsche Synchronisation gibt, im deutschen TV immer in einer stark gekürzten Fassung, meist im Nachtprogramm.