There is almost no investigation into why Hawthorne acts this way, despite Horowitz’s insistence that this will justify writing about a homophobic person.

The Twist of a Knife - Penguin Books UK

He is also the author of the teen spy Alex Rider series, and responsible for creating and writing some of the UK's most loved and successful TV series, including Midsomer Murders and Foyle's War. It might not be the most original or groundbreaking mystery I’ve ever read, but I would certainly classify highly among its kind. I did say above Horowitz doesn’t get too metaphysical about the whole thing, but in the end I think it would have been a waste of potential to completely do away with any and all meta elements. To read more about the site or if you want a graphic to link to us, see the about page for more details. Hawthorne interrupts, however, and the two attend the service, where Damian gives an egocentric eulogy.After “The Magpie Murders,” in which a script for a classic mystery is embedded in the tale of a modern mystery, Horowitz has written a mystery in first person and placed himself in the position of “Sherlock Holmes”’ Watson. By global bestselling Anthony Horowitz, a brilliantly entertaining new locked-room mystery with a key that only Hawthorne can find. Forced to attend a training program, he reluctantly goes to a special camp for spies where he learns more about what he’s to become. The twists, despite being numerous, are still spaced out well enough to give you some time to reflect and absorb what you’ve been reading.

The Word is Murder Summary and Study Guide | SuperSummary

He rejects Hawthorne’s suggestion that they publish a book together about his new case, the murder of Diana Cowper. Additionally, I found the author did a good job at mixing in additional elements of the real world in his story, eventually creating a kind of mash where it’s hard to tell where reality ends and fiction begins.His new play 'Mindgame' is about to open at London's Vaudeville theatre, and on opening night, Sunday Times critic Harriet Throsby gives the play a savage review. The doctors think Frank is in a persistent vegetative state, and only Alice, the compassionate and intuitive nurse, realises that he is suffering from “ locked-in” syndrome – as he himself tells the reader, “trapped in my body, like a straightjacket”.